Tuesday, June 18, 2024

THE THREE TREES

 CHARLES E. BURCHFIELD


The Three Trees, 1932-46, watercolor on paper, 36" x 60"

JOURNALS: May 2, 1949
In Salem-High Street-great open fields with gigantic trees, elms, buttonwoods and maples, with blue-jays flying about - 

Burchfield notes often in his journals that he was "near the Three Trees, sketching...
...when he heard that two of the trees had been felled by a tornado in 1925 he "was seized with a desire to recreate them in a picture".

The Three Trees (Salem, Ohio), Pen and Ink with wash over graphite
Collection of the Cleveland Museum of Art

I really appreciate the continuous line that connects the three trees along the top of the "spreading branch canopy". It is such a direct way to express that things in nature are interconnected and also creates a movement, like a wave, or maybe a ripple of wind ruffling the leaves in a certain direction.
The way he drew in the sun embraced by the lower branches of the two trees on the left with clouds and rays of sunshine lighting up the landscape in the distance gives a context to the trees.

Chestnut Trees, (Near Little Beaver Creek, east of Salem, Ohio), 1920
Pen and ink wash & pencil

"Three chestnut trees, overlooking the valley of the Little Beaver. What glorious trees these vanished chestnuts were - with their shaggy deeply sculptured trunks, and waxy green luxuriant foliage, now truly myths of a bygone era."

Chestnut Trees, 1916, Gouache, watercolor and pencil on paper







Tuesday, June 4, 2024

FRAGONARD'S DRAWINGS OF TREES


 JEAN HONORÉ FRAGONARD


Foliage Study: Branches of a Chestnut Tree 1765

In October of 2016 we saw a show of Fragonard's landscape drawings at The Metropolitan Museum of Art in New York City. I took many photos of his drawings of trees. He was such a master of observational drawing. About this drawing of a Chestnut: "This sheet records the branches of a Chestnut Tree heavy with leaves and nuts. The study was likely inspired by the instruction of Charles Joseph Natoire, director of the Académie de France in Rome, who emphasized the importance of directly observing nature. In Fragonard's studies of individual trees or masses of foliage he was less interested in rendering botanical accuracy than in capturing the effects of light and the textures of leaves with stylized strokes of red chalk." chalk. https://metmuseum.org/art/collection/search/655390







The simplicity of this sketch says it all. The light on the trees, the lines delineating the contour of clumps of leaves or the masses of the foliage and the big shape of the tree. Those gestural dark lines that are branches.